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There is no strife, no prejudice, no national conflict in outer space as yet. Its hazards are hostile to us all. Its conquest deserves the best of all mankind, and its opportunity for peaceful cooperation many never come again. But why, some say, the moon? Why choose this as our goal? And they may well ask why climb the highest mountain? Why, 35 years ago, fly the Atlantic? Why does Rice play Texas?

We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too.

It is for these reasons that I regard the decision last year to shift our efforts in space from low to high gear as among the most important decisions that will be made during my incumbency in the office of the Presidency.

In the last 24 hours we have seen facilities now being created for the greatest and most complex exploration in man's history. We have felt the ground shake and the air shattered by the testing of a Saturn C-1 booster rocket, many times as powerful as the Atlas which launched John Glenn, generating power equivalent to 10,000 automobiles with their accelerators on the floor. We have seen the site where the F-1 rocket engines, each one as powerful as all eight engines of the Saturn combined, will be clustered together to make the advanced Saturn missile, assembled in a new building to be built at Cape Canaveral as tall as a 48 story structure, as wide as a city block, and as long as two lengths of this field.

I believe that space travel will one day become as common as airline travel is today. I’m convinced, however, that the true future of space travel does not lie with government agencies — NASA is still obsessed with the idea that the primary purpose of the space program is science — but real progress will come from private companies competing to provide the ultimate adventure ride, and NASA will receive the trickle-down benefits.

The view of the earth from the moon fascinated me - a small disk, 240,000 mniles away. It was hard to think that that little thing held so many problems, so many frustrations. Raging nationalistic interests, famines, wars, pestilence don't show from that distance. I'm convinced that some wayward stranger in a space-craft, coming from some other part of the heavens, could look at earth and never know that it was inhabited at all. But the samw wayward stranger would certainly know instinctively that if the earth were inhabited, then the destinies of all who lived on it must inevitably be interwoven and joined. We are one hunk of ground, water, air, clouds, floating around in space. From out there it really is 'one world'.

Medvirkende

Instruktør Hansen Jensen
Hovedrolle Jesper Ding
Danser Kurt Ravn
Lysmand Bent Finkelstein
Hjælpere Hans Jensen, Astrid Andersen m.fl

Medvirkende

Instruktør Hansen Jensen
Hovedrolle Jesper Ding
Lysmand Bent Finkelstein
Danser Kurt Ravn
Hovedrolle Jesper Ding
Hjælpere Hans Jensen, Astrid Andersen m.fl

Medvirkende

Instruktør Hansen Jensen
Hovedrolle Jesper Ding
Danser Kurt Ravn
Lysmand Bent Finkelstein
Hjælpere Hans Jensen, Astrid Andersen m.fl

SEXHEX ELLER BARE ET MENNESKE?

I ANNA KARENINA venter et nyskabende kvindeportræt af en mystisk ekstra sexheks. 

Anna ikke bare nøjes med at drømme om retten til det frie liv, hun lever det frie liv – og så med sig selv i spotlightet. Et tidssvarende og aktuelt frihedsevangelie om ikke kun at stræbe efter mening og formål i tilværelsen, men også at følge ens egne instinkter og værdier, mens man navigerer i samfundets normer og forpligtelser overfor ens nærmeste.

Glæd jer til et sensuelt, hæsblæsende og nådesløst trekantsdrama mellem Anna, Karenina og Vronski, hvor tilværelsen og hadet er, det, der forbinder dem som mennesker.

Forestillingen er baseret på Lev Tolstojs klassiker fra 1878 og efter idé af Tone Schunnesson og Ragna Wei. Det er oversat fra Tone Schunnessons originale manuskript: 'DET HAR ALDRIG FUNNITS EN KVINNA SOM ANNA KARENINA'.

wild wild wild

“The wall var det første album, jeg selv købte. jeg hørte det igen og igen og kunne det udenad. det er uden tvivl det album, som har betydet allermest for mig, og det er en kæmpe ære at skulle være med første gang, det bliver opført i en teaterversion! jeg glæder mig så meget til at være en del af det her. spørgsmålet er så, om jeg er værdig til den rolle. det må publikum bedømme.”

JOHAN OLSEN

”Det er uden tvivl det album, som har betydet allermest for mig, og det er en kæmpe ære at skulle være med første gang, det bliver opført i en teaterversion! jeg glæder mig så meget til at være en del af det her. spørgsmålet er så, om jeg er værdig til den rolle. det må publikum bedømme.”

JIMMY JØRGENSEN

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